Writing

There are many ways people try to explain what writing a story is like. Just this morning I was on my way home when I started thinking about “dead wood” – I’d earlier told a friend that I was trying to get rid of dead wood. Yet writing isn’t really about getting rid of dead wood because that implies a tree and a story isn’t really like a tree. A tree has many branches that usually don’t come back together – they just spread out more and more.

But the dead wood analogy inspired a different notion. Writing is like trying to start fire without matches, a lighter, gasoline, etc. There are certain ingredients you need to make fire, and there are certain basic tools required. You can try rubbing two sticks together but, chances are, you won’t accomplish much beyond blisters. Come on, if it were really that easy kids would never need to be playing with matches.

The best tools in the world won’t matter if the tinder isn’t right. If it’s damp (boring) it will take a long time to catch, smoke a lot (which stings the eyes), need a lot of attention to keep it lit, and if you are lucky enough to get some kind of a flame, it will be small and relatively cool. Might do to keep mosquitoes away but little else.

So you pick out the damp stuff and the bits that don’t even burn, and you rub the sticks. Finally an ember falls in just the right place, and you carefully groom it into a flame. You build your fire on top of it – no, no you twit – you start off with small, dry twigs, not logs. You don’t want to smother it! That’s it, you build it into a raging inferno, and you’re good to go.

If you’ve done it right, you have a fire that provides warmth against the cold and a means to cook. And even if you’ve no food and it’s August in Phoenix, a nice fire still fills you with a certain mmm.

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Over the Hills and Far Away

I’ve begun editing the opening chapter to get rid of dead wood – detail that doesn’t move the story and doesn’t really add to it either. The goal is to make it leaner and meaner with every word carrying its own weight and more.

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Writing in general

Being in a holding pattern is a lonely, scary place to be. You reach out to people for a simple opinion, hoping for a little encouragement, a little truth, and in the end the experience is akin to The Emperor’sNew Clothes.

Norman Ollestad told me to never give up. Sage advice. But does it really have to be this difficult? I write something and I’m supposed to send it out unedited (edited to the best of my ability is the same as unedited – unless, of course, I’m really that good)? I don’t know for sure, and I’m soon going to find out, but it seems like a waste to point and shoot blindly, without really aiming. And that’s why I had asked several people to read my manuscript prior to me sending it out, so I don’t end up wasting too much time and getting discouraged along the way.

I can understand people who say, “I don’t really have the time”, but only one person actually said that. The other fifteen or so said they’d be more than happy to read it and get back to me soon. And when I didn’t hear from any of them and I asked them, suddenly it was “I haven’t actually read any of it.” I can only ask them so many times. Which leads me to wonder – is my book that bad? I have no way of knowing, and that sucks.

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Over the Hills and Far Away

Well, feeling pretty down at the moment. Having heard nothing in a month from my last reader I sent her an email. She responded that she’d been very busy and hadn’t actually read much of my book. That stings.

Don’t get me wrong – she’s doing me a favor, and her being a full-time writer with a busy schedule, I can understand the limited amount of time she has for my book. I’m actually glad she’s busy – the alternative isn’t a pleasant thought at all.

“Don’t let me delay you,” she says. Funny thing is, that’s a lot like, “we can still be friends.”

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Over the Hills and Far Away

I’ve been working on a new video for the website. I’ve got what really amounts to a “music” video done (and uploaded) that actually tells the story, part of it at least. I will work on the finished product over the next couple of weeks as I anxiously await word from my last reader.

In the meantime, all the best.

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Over the Hills and Far Away

I’ve been waiting for some final but (I hope) very important feedback. It’s been tough just letting the manuscript collect dust in the meantime, so I’ve turned my attention to other things.

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Over the Hills and Far Away

Turning my attention to the promotional video on the website. I’ve been meaning to address it for quite some time but have had some trouble figuring out exactly what I want it to convey. I’m still not sure, so I’m going to experiment. We’ll see how it works out.

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Next project

While I’m waiting for Over the Hills and Far Away to simmer, I’m looking ahead to the future. Already I’m outlining my next project and I’m very excited to see it mature in such a short amount of time. Loads of ideas that should make it a whole lot of fun.

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Over the Hills and Far Away

Not really much to say at the moment as I’m waiting for input from a new reader.

To fill the time I’m re-reading John van de Ruit’s “Spud”, picking up some things I missed the first time around. The parallels are very encouraging.

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Over the Hills and Far Away

There are so many interesting aspects of writing a memoir. Some are funny and/or surprising, and some are frustrating as can be. I’m always amazed at what I thought I knew that I really didn’t or had wrong. One example is that I thought my father left for a new job in Anchorage in 1972, with us joining him the following year. Yet now I’m not so sure. It could be he went to Anchorage in early 1973 with us following him around August 1973. Hmmm…

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